Screen Innovations has hand-built projection screens and shading systems in Austin, Texas since 2003 — ambient-light-rejecting materials, motorized screens that vanish into the ceiling, and a control ecosystem built for the custom integrator.
SI's core argument is simple: a good screen should outperform a flat panel in every room condition — daylight, mixed lighting, or a fully blacked-out theater — and disappear completely when it isn't in use.
Black Diamond and Slate materials hold contrast and colour even with room lights on — no need to darken a home theater to watch it properly.
Purpose-built optical coatings reject light from unwanted angles while reflecting the projector's image straight back — glare eliminated, not just dimmed.
Motorized cassettes retract fully out of view when the room isn't in use, so the screen never competes with the space around it.
Every screen ships from the same Austin facility, on the same materials platform, so a design chosen for one room can be scaled to the next.
Drop-down and in-ceiling cassettes that vanish when the show is over.
Slimline motorized cassette, designer-line finish for visible installs.
In-ceiling motorized screen that recesses flush, fully out of sight.
Reinforced in-ceiling platform for larger formats and tab-tensioned flatness.
Ambient-light-rejecting motorized screen matched to short-throw projectors.
Floor-rising lift screen for UST projectors in furniture or credenzas.
Permanent, tensioned surfaces for dedicated theaters and media rooms.
DT Dynamic series — motorized masking that adjusts aspect ratio on the fly, for rooms running both Scope and flat content.
Screen Innovations is distributed and demonstrated by Avenue Sound India across both showrooms. Dealers trained at Avenue University can spec Black Diamond and Zero Edge with confidence — book a walkthrough to see the ambient-light-rejection difference for yourself.
Live Zero Edge and motorized Zero-G demo, lights on and lights off.
Black Diamond ambient-light comparison against a reference flat panel.
